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downloaded from the just intonation network website on may 26 1995 excerpts 1060w

1/1 Back Issues: Author Index [Northern California authors]

COMPLETE THROUGH VOLUME 9, NUMBER 1 (MARCH 1995) _________________________________________________________________

Anderson, Carola B. Glen Branca and the Harmonic Series Volume 1, Number 1, p.4

---The Trouble with Didymus Volume 1, Number 3, p.1

Canright, David Book Review: Divisions of the Tetrachord, by John H. Chalmers, Jr. Volume 8, Number 3, p. 16

---CD Review: Lou Harrison, Music for Guitar and Percussion Volume 7, Number 3, p.2

---Fibonacci Gamelan Rhythms Volume 6, Number 4, p.4

---Harmonic-Melodic Diagrams Volume 4, Number 2, p.1

---A Justly-Tuned Guitar Volume 2, Number 2, p.8

---On Piano Retuning Volume 1, Number 4, p.10

---Pentatonics I Have Known Volume 1, Number 2, p.1

---Rational Notation Volume 1, Number 1, p.8

---Superparticular Pentatonics Volume 9, Number 1 p.10

---A Tour Up the Harmonic Series Volume 3, Number 3, p.8

Chalmers, John H., Jr. An Anticipation of the Partch Diamond in Augosto Navarro's Systema Natural Base del Natural-Aproximado (1927) Volume 8, Number 2, p. 9

---Book Review: Mathematical Models of Musical Scales--A New Approach, by Mark Lindley and Ronald Turner-Smith Volume 9, Number 1, p.2

---Book Review: The Structure of Recognizable Diatonic Scales, by Easly Blackwood Volume 4, Number 3, p.4

---Book Reviews: Ancient Greek Music, by M.L. West, and Greek Musical Writings, Volume II, by Andrew Baker Volume 8, Number 3, p. 2

---A Compendium of Twelve-tone Scales in Five-limit Just Intonation Volume 7, Number 4, p.4

---Harmonic and Subharmonic Versions of Kathleen Schlesinger's Harmoniai Volume 7, Number 3, p.4

---Microfest Volume 4, Number 3, p.12

---Third Coast New Music Project Volume 4, Number 3, p.15

---Tritriadic Transformations Volume 3, Number 1, p.1

---The Wayward: Harry Partch at UCSD Volume 8, Number 4, p. 20

Doty, David B. An Abundance of Thirds Volume 4, Number 2, p.4

---Anomalous Pairs in "Paradigms Lost" Volume 5, Number 1, p.4

---An Assortment of Commas (and Other Irritants) (chart) Volume 2, Number 1, p.13

---Book Review: Pitch, Pi, and Other Musical Paradoxes, by Charles Lucy Volume 5, Number 3, p.2

---The DX7 II: A First Look Volume 3, Number 4, p.11

---Editorial Volume 1, Number 1, p.2

---From the Editor--Harry Partch and the Just Intonation Network Volume 8, Number 4, p. 2

---From the Editor--State of the Network, January 1994 Volume 8, Number 2, p. 2

---The La Monte Young Interview Part 1: Volume 5, Number 4, p.1 ---Part Two: Volume 6, Number 1, p.8

---The Lou Harrison Interview Volume 3, Number 2, p.1

---Meaty MIDI Meeting Volume 4, Number 4, p.15

---Microtonal Resources of the Seven Limit Volume 6, Number 1, p.1

---Pitch, Pi... Revisited Volume 5, Number 4, p.2

---A Response to Harold Waage Volume 7, Number 4, p.2

---A Response to Siemen Terpstra's "Notation" Volume 8, Number 3, p. 18

---The Subharmonic Question Volume 2, Number 1, p.1

---Toward Standard Definitions Volume 2, Number 2, p.2

---Tutorial: Part One Volume 1, Number 2, p.6

---Tutorial: Part Two Volume 1, Number 3, p.2

---Tutorial: Part Three Volume 2, Number 2, p.6

---Tutorial: Part Four (The Nine-Tone Diatonic Scale) Volume 3, Number 1, p.2

---Two Theories of Melodic Intonation Volume 7, Number 4, p.1

Duncan, Dudley Notes and Commas (letter) Volume 3, Number 3, p.2

---The Ptolemaic Antinomy Volume 8, Number 1, p. 5

---Septimal Harmony for the Blues Volume 5, Number 2, p.4

---Why Superparticular? Volume 8, Number 1, p. 1

Erickson, Ron Book Review: The Music of James Tenney Volume 1, Number 3, p.4

Fischer, Andrew Book Review: Tuning In, by Scott Wilkinson Volume 4, Number 4, p.2

---Record Review: Lou Harrison's Piano Concerto Volume 5, Number 1, p.2

---Record Reviews: New Releases: Riley and Hykes Volume 2, Number 4, p.2

Harrison, Lou Blessed Be Translators, for They Give Us Worlds Volume 7, Number 1, p.6

---Cloverleaf Volume 5, Number 2, p.1

Henry, Norman A Justly-Tuned Harpsichord Volume 1, Number 4, p.7

---An Open Letter Volume 2, Number 1, p.2

Horton, Jim Horton Hears a Who (le Number Ratio) Volume 2, Number 2, p.1

Ludlow, Lynn Notes from a Semi-incompetent Performer on the Surrogate Kithara (1953) Volume 8, Number 4, p. 21

Polansky, Larry Canon for Flute (Score) Volume 6, Number 2, p.5

---Confessions of a Lousy Carpenter Volume 1, Number 1, p.1

---Guest Editorial Volume 1, Number 2, p.2

---The HMSL Intonation Environment Volume 3, Number 1. p.4

---Notes on "Piano Study No.5 for JPR" Volume 1, Number 4, p.14

Puliot, Stephen Remembering Harry Volume 8, Number 4, p. 23

Raskin, Jef Recollections of Harry Partch Volume 8, Number 4, p. 24

Rich, Robert Ensoniq EPS: A New Toy in Town Volume 4, Number 3, p.2

---Features of Tunable MIDI Synthesizers Volume 8, Number 1, p. 11

---Harmonic Scales for Guitar Volume 3, Number 1, p.13

---A Just Intonation Calculator Volume 4, Number 4, p.4

---Tuning and Transposition on the Prophet Five Volume 1, Number 4, p.4

Rosenboom, David In the Beginning: Etude I (Trombones) (score) Volume 1, Number 3, p.8

Rosenthal, Henry S. Book Review: The Science of Musical Sound Volume 1, Number 2, p.4

Rush, Loren, Janice Mattox, and Alfred Owens The Enhanced Piano Volume 8, Number 2, p. 16

Scholz, Carter The E! Evaluation Volume 3, Number 4, p.2

---The MIDI Tuning Dump Standard (version 0.03) Volume 5, Number 3, p.8

---A Program to Calculate Ratios Volume 4, Number 2, p.12

---Tuning and the Ensoniq EPS Volume 5, Number 4, p.4

Schwartz, Stephen Harry Partch in the Secret History of the West Coast Volume 8, Number 4, p. 22

Terpstra, Siemen, W.D. Mohr, and David B. Doty Correspondence (concerning W.D. Mohr's "Five") Volume 7, Number 2, p.2

Wold, Erling It was in the Summer that I first noticed your hair, your face, your eyelids (score) Volume 6, Number 4, p.1

---Music of Love and Beyond Volume 4, Number 4, p.1

---Report: American Festival of Microtonal Music Volume 7, Number 1, p.2


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